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FujiFilm X-T50 Mirrorless Camera with 15-45mm f/3.5-5.6 Lens - Black
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X-T50
My Experience, My Color
Classic Design
FUJIFILM X-T50 inheritates the X-T Series design that suggests the close resemblance of a classic film camera. The compact body weighs just 438g (0.96lb)*. Combined with the sleek design and ergonomic styling, it's a joy to use wherever your creative journey takes you.
*Including battery and memory card
Rounded Body Shape
FUJIFILM X-T50 incorporates a new, rounded body shape. While slightly larger than the predecessor X-T30 II model, the styling makes it feel small without compromising handling. The thumb grip extends smoothly outward compared to previous models, providing an impressive overall feel and grip on the body.
Film Simulation Dial
FUJIFILM X-T50 features all-new Film Simulation dial on the top plate. Choosing the Film Simulation has never been easier. It is as simple as turning the dial. There are 20 Film Simulation modes to choose from, including the latest "REALA ACE". Enjoy our color science that we have cultivated since our establishment in 1934.
Dial Operation
FUJIFILM X-T50 houses shutter speed, exposure compensation, and all-new Film Simulation dials on the top-plate. Together with the aperture ring on most XF lenses, settings can be checked and adjusted, even without turning the camera on, leaving you to concentrate on what matters most: making the perfect image.
Electronic Viewfinder
FUJIFILM X-T50 features a 2.36 million dot electronic viewfinder (EVF) with a 0.62x magnification ratio. The specially designed lens elements provide a high-definition live view, and includes an adjustable diopter control to provide a truly comfortable experience.
Tilting LCD
FUJIFILM X-T50 incorporates a tilting LCD, which offers enhanced versatility, particularly when working at waist level. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Cutting-Edge Image Quality
FUJIFILM X-T50's fifth-generation X-Trans CMOS 5 HR sensor, X-Processor 5 imaging engine, and up to 7.0-stop in-body image stabilization (IBIS) combine to deliver the highest image quality yet for X Series in a small, light body.
X-TRANS CMOS 5HR - High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
X-Processor 5 - Twice the processing speed of X-Processor 4
- AI processing technology
- Next generation HEIF image file format
- Reduced power consumption
7.0-stop IBIS - Lightweight, High Performance
A five-axis in-body image stabilization (IBIS) system provides up to 7.0 stops of compensation. Despite this, the camera body only weighs 438g including battery and memory card.
Improved Features
FUJIFILM X-T50 has further enhanced its features such as autofocus and ISO sensitivity when compared to its predecessor FUJIFILM X-T30 II.
Subject Detection Autofocus
FUJIFILM X-T50 uses X-Processor 5's subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.*
*Set the SUBJECT DETECTION SETTING to BIRD for insect detection, and to AIRPLANE for detecting drones.
Updated AF Algorithm
FUJIFILM X-T50 incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations.
ISO 125 Standard Sensitivity
The X-Trans CMOS 5 HR sensor in FUJIFILM X-T50 has a more light-efficient pixel structure. A setting of ISO 125, which on the prior model, FUJIFILM X-T30 II was only an extended sensitivity option, is now available natively on the FUJIFILM X-T50.
S/N Level / Low-Light Power
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio. Astonishing image quality is in the palm of your hand.
Expanding Your Creativity
Add extra options to your image-making journey by combining FUJIFILM X-T50's unique Film Simulation modes with other creative features. Use analog effects such as film grain, or boost color depth, clarity, or sharpness to elevate your images, and take full control of highlight and shadow tones to dramatically expand your creative palette. A truly bespoke photographic adventure awaits.
Film Simulation
The 20 Film Simulation modes offered by FUJIFILM X-T50, including the new REALA ACE mode, harness 90 years of Fujifilm color science, digitally replicating the look of classic photographic film stocks. Reproduce the classic colors and tones Fujifilm is renowned for, or add artistic flair to your photographic journey.
PROVIA/STANDARD
Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral color reproduction.
REALA ACE
Based on REALA ACE, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.
Classic Chrome
Designed to reproduce a look similar to documentary magazines of the 20th century. Classic Chrome's low saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.
CLASSIC Neg.
Based on SUPERIA, a color negative film loved by generations of photographers, this Film Simulation mode provides high-contrast tonal gradation. It adds depth and definition to colors by adjusting their shades in highlights and shadows, while reducing saturation.
Velvia/VIVID
Based on FUJICHROME Velvia, an ultra-vivid reversal film designed for professionals, this Film Simulation mode provides richer and more high-contrast colors than the PROVIA/STANDARD. It is a favorite of landscape photographers.
ASTIA/SOFT
Based on FUJICHROME ASTIA, a reversal film designed for fashion portraiture, this mode prioritizes soft and faithful reproduction of skin tones, while also depicting vivid blue skies and greenery.
PRO Neg. Std
Based on PRO160NS, a color negative film for professionals, this Film Simulation mode has a soft tonal gradation and excellent skin tone reproduction. Ideal for portrait photography under carefully controlled lighting. The neutral tonality renders itself well to post-processing.
NOSTALGIC Neg.
Designed to recreate the look of images in old photo albums, NOSTALGIC Neg. produces images with rich colors in the shadows - and a soft tonality through the midtones and highlights.
ACROS
Based on ACROS, a monochrome film renowned for super-fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textured feel of monochrome.
Grain Effect
From subtle textures to the gritty look of traditional high-ISO film stocks, with FUJIFILM X-T50 you can easily add natural-looking grain to your photos. Control the strength and size for just the right amount of texture on any image.
Color Chomre Effect
For highly-saturated subjects, Color Chrome Effect adds depth, detail, and vibrancy in three strengths to red, green, or yellow tones where detail may otherwise be lost.
Color Chrome FX Blue
Adds more depth and naturally enhances the vividness of the color.
Clarity
The Clarity control lets you decide whether to recreate a scene with a crisp sharpness, defining edges and boosting contrast, or with a soft feel. With 11 levels of control, it's easy to fine-tune to your personal taste and style.
Monochromatic Color
Monochromatic Color allows you to choose a key color from a matrix of Warm / Cool tones and Magenta / Green hues. You can incorporate the rich gradation into your images to create photographs with a personal twist.
Manipulating Images
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
- Mode - Automatic Scene Recognition
- Custom Custom - 1~3 Size / Area Selectable
- Color Temperature Selection - 2,500K -10,000K
- Preset - Daylight, Shade, Fluorescent Light (Daylight), Fluorescent Light (Warm White), Fluorescent Light (Cool White), Incandescent Light, Underwater
Multiple Exposure
Layer up to nine images in Additive, Average, Comparative Bright or Comparative Dark modes to combine multiple perspectives or different points in time. Various settings, including Film Simulations, can be applied to each exposure to produce a unique creative expression completely in-camera.
AUTO Mode
In AUTO mode, the camera automatically recognizes and sets optimal exposure settings for any scene. It also features auto subject detection where the camera automatically detects and tracks the subject, keeping it in focus. This eliminates the need to adjust the subject detection settings manually for easy image making. The AUTO mode can also be used for video.
Video Functionality
FUJIFILM X-T50 offers advanced video performance in a compact, lightweight body. Create movies up to 6.2K internally at 30p in 4:2:2 10-bit color. 4K/60p and high-speed 1080/240p are also available, maximizing video flexibility.
Improved Subject Tracking
Track subjects in your videos with ease. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. FUJIFILM X-T50 will track the object, even in situations where multiple subjects appear in the frame.
F-Log2 support
In addition to F-Log, FUJIFILM X-T50 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
*When recording F-Log2, based on Fujifilm internal testing.
Model Name FUJIFILM X-T50
Lens Mount FUJIFILM X mount
Image Sensor 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter
Number of effective pixels 40.2 millions pixels
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 5
Sensor Cleaning System Ultra Sonic Vibration
Storage media
SD Card (-2GB)
SDHC Card (-32GB)
SDXC Card (-2TB)
UHS-I
UHS-II
Video Speed Class V90
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File format of still image
DCF Compliant with Design rule for Camera File system (DCF2.0)
JPEG Exif Ver.2.32
HEIF 4:2:2 10bit
RAW 14bit RAW (RAF original format)
TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)
Notes *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Number of recorded pixels
[L]
43: 6864 x 5152
32: 7728 x 5152
169: 7728 x 4344
11: 5152 x 5152
54: 6432×5152
[M]
43: 4864 x 3648
32: 5472 x 3648
169: 5472 x 3080
11: 3648 x 3648
54: 4560×3648
[S]
43: 3456 x 2592
32: 3888 x 2592
169: 3888 x 2184
11: 2592 x 2592
54: 3264×2592
Panorama
[L]
vertical: 9600 x 2160
horizontal: 9600 x 1440
[M]
vertical: 6400 x 2160
horizontal: 6400 x 1440
Sensitivity
Still Image
Standard Output
AUTO1
AUTO2
AUTO3
ISO125~12800 (1/3 step)
Extended Output
ISO64
ISO80
ISO100
ISO25600
ISO51200
Movie
Standard Output
AUTO
ISO125~12800 (1/3 step)
Extended Output
ISO25600
Exposure control
TTL 256-zone metering
Multi
Spot
Average
Center Weighted
Exposure mode
P (Program AE)
A (Aperture Priority AE)
S (Shutter Speed Priority AE)
M (Manual Exposure)
Exposure compensation
Still -5.0EV~+5.0EV 1/3EV step
Movie -2.0EV~+2.0EV 1/3EV step
Image stabilizer
Mechanism Image sensor shift mechanism with 5-axis compensation
Compensation Effect 7.0 stops
Digital Image Stabilization Yes (movie mode only)
IS MODE BOOST Yes (movie mode only)
Shutter type Focal Plane Shutter
Shutter speed Mechanical Shutter
P mode 4sec. to 1/4000sec.
A mode 30sec. to 1/4000sec.
S/M mode 15min. to 1/4000sec.
Bulb up to 60min.
Electronic Shutter
P mode 30sec. to 1/180000sec.
A mode 30sec. to 1/180000sec.
S/M mode 15min. to 1/180000sec.
Bulb 1sec. Fixed
Electronic Front Curtain Shutter
P mode 30sec. to 1/4000sec.
A mode 30sec. to 1/4000sec.
S/M mode 15min. to 1/4000sec.
Bulb up to 60min.
Mechanical + Electronic Shutter
P mode 30sec. to 1/180000sec.
A mode 30sec. to 1/180000sec.
S/M mode 15min. to 1/180000sec.
Bulb up to 60min.
Notes *Mechanical shutter works until 1/4000sec.
E-Front + Mechanical Shutter
P mode 30sec. to 1/4000sec.
E-Front + Mechanical + Electronic Shutter
P mode 30sec. to 1/180000sec.
Movie
6.2K 1/4000sec. to 1/24 sec.
4K/DCI4K 1/4000sec. to 1/4 sec.
FHD 1/4000sec. to 1/4 sec.
Notes *Cannot choose slower shutter speed than framerate for some settings.
Synchronized Shutter Speed For Flash
Mechanical shutter 1/180sec. or slower
Continuous shooting
CH
Electronic Shutter Approx. 20fps (1.29x Crop)
JPEG - 168 frames
Compressed RAW - 66 frames
Lossless compressed RAW - 32 frames
Uncompressed RAW - 17 frames
Compressed RAW + JPEG - 21 frames
Lossless compressed RAW + JPEG - 20 frames
Uncompressed RAW + JPEG - 17 frames
Electronic Shutter Approx. 13fps (1.29x Crop)
JPEG - 1000+ frames
Compressed RAW - 94 frames
Lossless compressed RAW - 25 frames
Uncompressed RAW - 21 frames
Compressed RAW + JPEG - 48 frames
Lossless compressed RAW + JPEG - 31 frames
Uncompressed RAW + JPEG - 19 frames
Electronic Shutter Approx. 10fps (1.29x Crop)
JPEG - 1000+ frames
Compressed RAW - 536 frames
Lossless compressed RAW - 43 frames
Uncompressed RAW - 23 frames
Compressed RAW + JPEG - 61 frames
Lossless compressed RAW + JPEG - 37 frames
Uncompressed RAW + JPEG - 21 frames
Electronic Shutter Approx. 13fps
JPEG - 163 frames
Compressed RAW - 46 frames
Lossless compressed RAW - 21 frames
Uncompressed RAW - 18 frames
Compressed RAW + JPEG - 24 frames
Lossless compressed RAW + JPEG - 20 frames
Uncompressed RAW + JPEG - 19 frames
Electronic Shutter Approx. 8.9fps
JPEG - 1000+ frames
Compressed RAW - 68 frames
Lossless compressed RAW - 28 frames
Uncompressed RAW - 21 frames
Compressed RAW + JPEG - 36 frames
Lossless compressed RAW + JPEG - 23 frames
Uncompressed RAW + JPEG - 21 frames
Electronic Shutter Approx. 8.0fps
JPEG - 1000+ frames
Compressed RAW - 79 frames
Lossless compressed RAW - 22 frames
Uncompressed RAW - 20 frames
Compressed RAW + JPEG - 30 frames
Lossless compressed RAW + JPEG - 21 frames
Uncompressed RAW + JPEG - 20 frames
CL
Mechanical Shutter Approx. 5.0fps
JPEG - 1000+ frames
Compressed RAW - 1000+ frames
Lossless compressed RAW - 56 frames
Uncompressed RAW - 24 frames
Compressed RAW + JPEG - 81 frames
Lossless compressed RAW + JPEG - 27 frames
Uncompressed RAW + JPEG - 21 frames
Mechanical Shutter Approx. 4.0fps
JPEG - 1000+ frames
Compressed RAW - 1000+ frames
Lossless compressed RAW - 1000+ frames
Uncompressed RAW - 29 frames
Mechanical Shutter Approx. 3.0fps
JPEG - 1000+ frames
Compressed RAW - 1000+ frames
Lossless compressed RAW - 1000+ frames
Uncompressed RAW - 60 frames
Pre-shot
Electronic Shutter, 1.25 X Crop Approx. 20fps (1.29x Crop)
20 frames
135 frames
155 frames
Electronic Shutter, 1.25 X Crop Approx. 13fps (1.29x Crop)
13 frames
177 frames
190 frames
Electronic Shutter, 1.25 X Crop Approx. 10fps (1.29x Crop)
10 frames
240 frames
250 frames
Electronic Shutter, 1.25 X Crop Approx. 13fps
13 frames
177 frames
190 frames
Notes
*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode
AE Bracketing
2 frames
3 frames
5 frames
7 frames
9 frames
Filmsimulation Bracketing Any 3 types of film simulation selectable
Dynamic Range Bracketing
100%
200%
400%
ISO Sensitivity Bracketing
±1/3EV
±2/3EV
±1EV
White Balance Bracketing
±1
±2
±3
Focus Bracketing
AUTO
MANUAL
Multiple Exposure
Yes (Max. 9 frames)
Additive
Average
Bright
Dark
HDR Mode
AUTO
2
4
8
800% +
Advanced Filter
Toy camera
Miniature
Pop color
High-key
Low-key
Dynamic tone
Soft focus
Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Focus
Mode
Single AF
Continuous AF
MF
Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
AF Frame Selection Single point AF - 13×9 / 25×17 (Changeable size of AF frame)
Zone AF - 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid
All - Yes
Subject Detection ["Yes (Animal\/Bird\/Automobile\/Motorcycle&Bike\/Airplane\/Train)"]
Flash Shoe Mount Flash
Sync. Mode
1st Curtain
2nd Curtain
AUTO FP (HSS)
Flash Mode
TTL (TTL AUTO / STANDARD / SLOW SYNC. )
MANUAL
MULTI *When EF-X500 is set
OFF
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder EVF 0.39 inch OLED Color Viewfinder
Approx. 2.36 million dots
Coverage of Viewing Area vs. Capturing Area Approx. 100%
Eyepoint Approx. 17.5mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment -4~+2m-1
Magnification 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View
approx. 31° (Horizontal angle of view: approx. 26° )
Built-In Eye Sensor
LCD monitor 3.0 inch Tilt-Type Touch Screen Color LCD Monitor
Aspect Ratio 3:2
Dots Approx. 1.84 million dots
Touch Screen Mode Shooting Mode
Shooting
AF
Focus Area
OFF
Double Tap Setting (ON/OFF)
Touch Function Setting (ON/OFF)
Touch Zoom (ON/OFF)
EVF Touch Screen Area Setting
Playback Mode
Swipe
Pinch-in / Pinch-out
Double-tap
Drag
Movie recording
File Format
MOV
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4
MPEG-4 AVC/H.264, AAC
Movie Compression
All Intra
6.2K(16:9)
File size
6240 x 3510
Frame rate
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
DCI4K HQ(17:9)
File size
4096 x 2160
Frame rate
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
4K HQ(16:9)
File size
3840 x 2160
Frame rate
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
DCI4K(17:9)
File size
4096 x 2160
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
4K(16:9)
File size
3840 x 2160
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(17:9)
File size
2048 x 1080
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(16:9)
File size
1920 x 1080
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(17:9) High Speed Rec.
File size
2048 x 1080
Frame rate
240p
200p
120p
100p
Bitrate
360Mbps (recording)
200Mbps (recording)
Full HD(16:9) High Speed Rec.
File size
1920 x 1080
Frame rate
240p
200p
120p
100p
Bitrate
360Mbps (recording)
200Mbps (recording)
Film simulation mode
20 modes
PROVIA/Standard
Velvia/Vivid
ASTIA/Soft
Classic Chrome
REALA ACE
PRO Neg.Hi
PRO Neg.Std
Classic Neg.
Nostalgic Neg.
ETERNA/Cinema
ETERNA BLEACH BYPASS
ACROS
ACROS + Ye Filter
ACROS + R Filter
ACROS + G Filter
Black & White
Black & White + Ye Filter
Black & White + R Filter
Black & White + G Filter
Sepia
Monochromatic Color Yes
Grain Effect
Roughness STRONG, WEAK, OFF
Size LARGE, SMALL
Color Chrome Effect STRONG, WEAK, OFF
Color chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic range setting Still
Still AUTO / 100% / 200% / 400%
ISO restriction DR100%: No limit?DR200%: ISO250 or more?DR400%: ISO500 or more
Movie
Movie 100% / 200% / 400%
ISO restriction DR100%: No limit?DR200%: ISO250 or more?DR400%: ISO500 or more
White balance Auto
White Priority
Auto
Ambience Priority
Custom Custom1 - 3
Color Temperature Selection 2500K~10000K
Preset
Daylight
Shade
Fluorescent Light-1
Fluorescent Light-2
Fluorescent Light-3
Incandescent Light
Underwater
Clarity setting ±5 steps
Self-timer Still
10sec.
2sec.
Movie 10sec.
5sec.
3sec.
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Wireless transmitter Standard IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption WPA/WPA2 mixed mode, WPA3
Access Mode Infrastructure
Bluetooth® Standard Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating Frequency (Center Frequency) 2402*2480MHz
Terminal
Digital Interface USB Type-C (USB3.2 Gen2x1)
HDMI Output HDMI Micro connector (Type D)
Others 3.5mm, stereo mini connector (Microphone)
Hot shoe
Power supply NP-W126S Li-ion battery (included)
Battery Life For Still Images
Economy Mode Approx. 390 frames
Normal Mode Approx. 305 frames
Notes *When XF35mmF1.4 R is set
Actual Battery Life Of Movie Capture
6.2K Approx. 45min. (29.97p)
4K Approx. 45min. (59.94p)
Full HD Approx. 45min. (59.94p)?Approx. 50min. (120P)
Notes *Face detection is set to OFF
Continuance Battery Life Of Movie Capture
6.2K Approx. 70min. (29.97p)
4K Approx. 70min. (59.94p)
Full HD Approx. 80min. (59.94p)
Notes
*Face detection is set to OFF
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Dimensions
Width 123.8mm
Height 84mm
Depth 48.8mm
(Minimum Depth) (34.2mm)
Weight
Including Battery And Memory Card Approx. 438g
* Term:
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